The Soloist
The orchestra played the finale and the
audience ejaculated their applause. The solo violinist smiled and bowed. Her
music matched her beauty. But there was another woman in the string section who
had coveted her spot. She had the music to match the soloist, but her looks
weren’t as alluring. She was not ugly, but compared to the fire red hair and
classical statue smile of the woman bowing in front of her, she looked plain.
She sat in the string section every night, her heart growing evermore jealous,
she knew her command of the violin was superior the big star, but the world
didn’t have enough places to give everyone a spot under the light.
The
conductor named Carol the backup should Megan take ill before a concert.
‘You
should practice Megan’s parts as well as the string section backing. I know you
are more than capable. You can really burn with your bow. Do you accept?’
‘Yes
Seb, I will be the backup. I already know it off by heart. I have a personal
connection to Beethoven.’
‘Fantastic,
I am glad you know it, but just check in with Megan, and she will give you some
tips, on being in the limelight. You may know the piece. But standing up as a
soloist in front of a packed opera hall takes more than knowing your music.
Everyone stares at you. The first time I conducted, I shook before, during, and
after the performance. I can barely remember if it went well. The adrenaline
was so intense you see. When you play in the string section you blend and you
share the nerves with your co-musicians. To stand and take the eyes of the hall
is a rush. And that is just the nerves. You can’t stand there and look
miserable, it’s like being a frontman for a rock band, you have to engage with the
audience. Still, it may never happen, as we all hope Megan remains in good
health.’
‘Of
course,’ said Carol, even though she willed Megan all the ills of the world
with every inch of her body. It was there she began to devise plots in the dark
morning hours after the performance. How could she make Megan ill
without drawing attention to herself?
Carol sourced a vile of arsenic. On the week
before the televised performance of Beethoven’s Violin Concerto, she visited
Megan’s dressing room.
‘Carol,’
said Megan with a huge smile. ‘How are you feeling about the big performance?’
Carol forced a smile.
‘I
can’t wait.’
‘I
am feeling this piece, with every note, I fall deeper into it. Do you get what I
mean?’
‘Of
course.’
They talked about Beethoven and Brahms and
went over the piece. Megan got out her violin and began to play one of her own compositions
to Carol. Carol listened, and fingered the poison in her jacket pocket. When Megan
went to the on-suite. Carol poured part of the poison into Megan’s water
bottle. She didn’t mean to kill her, just to put her out of action.
‘Well
Meg, I must be getting off.’
‘It
was lovely to see you. Drop in with me before the big show.’
‘I
will.’
They hugged and Carol slipped into the dark.
The poison worked. Just as Carol had planned.
It didn’t kill Megan but it did make her ill. She was taken to hospital On the day before the performance. The conductor rang around.
‘Carol,
it’s terrible, Megan has been taken ill, she won’t be able to perform. Can you
step in for her. It’s too late to back out. We have a full house, the money has
been spent, we will bankrupt the company if we pull out now. I am counting on
you. Are you ready to play the solo?’
Carol quivered with glee. She had been
practicing the solo all week.
‘Yes
Seb, I think I can manage it.’
‘Well
go to the dress makers today, I want you looking your best for the cameras. Buy
whatever you want, I will reimburse you. What about nerves? Are you feeling
ready for the light.’
‘I
am ready Seb. You can count on me.’
‘I
can’t thank you enough, you have saved us.’
‘Good
bye Seb.’
Carol went straight to the dress shop and
picked out a velvet blue silk. She paired it with blue shoes. And a dress jewel
neckless that looked like diamonds and sapphires. It only had to fool them for
one night. Its lustre would last. She was ready.
On the big night she strolled through the
corridors before the stage like a princess. Everyone eyed her, and thanked her
for stepping in. They knew the future of their jobs rested on her shoulders.
She absorbed it all. It filled her with an energy she had longed for. She was
the centre of it all, and had her place to the left of the conductor. The orchestra
took their seats and began to tune and sound check their instruments. For the
first time Carol wasn’t with them. She would be brought on separately along
with the conductor. The opera house would watch her as she took her stand.
She
came out with Seb to a hall of cheers. Seb took his postion and raised his baton.
And they were off. A surge of rich woodwind, followed by the strings, and then
Carol alone. She played her part with a dark mesmerising force. The piece was
jovial and yet her energy turned it from a concerto to a nocturne. The crowd
felt it and sensed it if only in their subconscious. A danger emanated from her
and the music evoked a tension and yet the feeling soothed them. As Carol
played, her guilt sung out, and it was almost an apology for what she had done. The
concerto rung on. And Carol’s first part was over.
The hall was well lit. Carol could see two
figure wandering down the isles towards the stage. They wore black tactical
vests. It was the police. And Carol sensed she had been caught. The police
allowed her to play on. But she couldn’t. The presence of the police had broken
the wall of confidence she had built and the room with all its eyes burnt her. She
fell to the floor. The orchestra played on, for they had to. If they stopped the
guests would ask for their money back. They played on and a stage hand led
Carol to the dressing rooms. The police came swift and emotionless.
‘We
are arresting you on a charge of murder…’
‘Murder?’
said Carol through her tears.
‘Murder,
Megan died earlier today.’
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